This evening I began work on a transcription project that I have been interested in for years. Bach's Violin Partita No. 3 has always been among my favorites of all of the solo pieces, particularly the Prelude. Even with the Loboe, the music extends to the G# below the staff. Of course, I am hardly the first person to want to tackle this music. Bach has been transcribed for every instrument imaginable. Of course, that also means that there are many degrees of success with these versions. There are obvious issues such as articulation, phrasing, and lest we forget, breathing! But in tackling these issues, the result can be an important addition to the repertoire.
Bela Fleck, perhaps one of the world's most accomplished banjo artists, constantly challenges himself by combining virtuoso technique with a wide range of musical styles. He brings solo and ensemble music to an instrument that struggles to shed its "Deliverance" image. Among his amazing creations, Fleck embarked upon an entire "Bach Project". Below is a short clip that includes Fleck talking about the transcription process.
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